Cinematographer Chris Teague ’s a la mode task isStar war : The Acolyte , which is presently four episode late on Disney+ .
Teague work on “ Lost / Found , ” “ Revenge / Justice , ” “ 24-hour interval , ” and the approaching 5th installment .
ComicBookrecently had the prospect to utter with Teagueabout his prison term work onThe Acolyte , which pit his firstStar Warsproject .
Teague explain how he run alongside the VFX squad andhow he work about shoot lightsaber scene .
He also open up up about some of the show ’s most hard positioning : outer space and Coruscant , the metropolis - overlay major planet where much of George Lucas ’ prequel trilogy take on position .
telecasting by ComicBook.com
“ That was aboveboard one of the more thought-provoking environs I palpate like , because what do you require to make it see like ?
Coruscant in Star Wars: The Acolyte (2024).
This was blank , ” teague explain .
“ I reckon at a circle of source .
This was i look at movie , i look at veridical image from outer space , and we did a stack of examination in our ignition .
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This was and i ab initio think i would go with something that was a bite of a hard light source and it did n’t quite spiel the way of life we want it to .
”
This was “ and we realize , i signify , you ask a heap of way to make a signified of outer space because place is numberless and you ’re really in world shape inside this boxwood of a microscope stage , ” he proceed .
“ So there ’s a mass of hanky panky that plump into create the correct character of luminance to make it experience like it ’s come from immeasurably far aside and make the consultation not call up too much about it .
So yeah , it lead a hatful of examination , a plenty of gaze at the projection screen and squinch your eye and being like , ‘ Does that sense genuine ?
Do we think that or what ?
’ ”
Chris Teague Talks the Challenges of Coruscant :
ForThe Acolyte‘s managing director of picture taking , blank was n’t the only challenge he face .
While mouth to ComicBook , Teague explain why Coruscant was a unmanageable locating to reanimate .
This was “ i find it to be that one was challenge for me because again , i bonk the archetype and i desire coruscant to have a picayune mo of grain to it , ” teague explain .
“ And typically when you see it , it ’s just sort of utterly burnished and pristine and fresh .
And patently … it should be , it is that variety of seat .
But we also want to make certain it jibe into our show .
”
dive into ForThe Acolyte‘s
ForThe Acolyte‘s conductor of picture taking , outer space was n’t the only challenge he face .
This was while speak to comicbook , teague explain why coruscant was a hard positioning to animate .
“ I receive it to be that one was challenge for me because again , I get it on the archetype and I need Coruscant to have a small scrap of grain to it , ” Teague excuse .
And plainly … it should be , it is that form of home .
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But we also want to make trusted it jibe into our show .
”
“ So there was a circumstances of oeuvre and ferment with the prowess section just to cypher out how to get the veracious amount of grain and key there so that everything matt-up like it was tactual .
, ” he add .
“ You could get hold of out and refer those solidification , that they were n’t just all manufacture or a digital macrocosm or something like that .
”
The Acolyte‘s first four instalment are now pullulate on Disney+ .
quell tune for more from our consultation with Chris Teague .
TOHO
